Notes

From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows
further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far
back as possible in the seated area.



Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping,
convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries
aligned -> id3 tag < Seamless transition between Discs 2 and 3 >

_____________________________________________________________________________________________________________
editing notes: balloon pops reduced in volume, smoothed w/ pencil tool at both edges
d1t04 3:35.748 - .749 -9 db
d1t07 3:53.985 - .991 -15
6:41.634 - .639 -15
d1t10 0:25.819 - .824 -15
d2t03 1:29.468 - .500 -18
d3t06 8:53.118 - .133 -18

patched the end of d1t07 to the start of d1t08 w/ 1:06.517464 shnid9052 converted to 96khz - 24bit using wavelabs5
and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match
patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion,
renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive.
all in all a a very good listen, No EQ or NR.

and still tmns...